/tagged/art/page/2

Throwaway's Blog:

I am a californian who has traveled a lot and loves giving advice, mostly food related but also cultural when it's safe consensual and appropriate to the current legal climate. Contact me via email if you really must.

Robert Irwin
Untitled, 1962
Oil on canvas
Norton Simon Museum’s California Minimalism Show, June 2011

Robert Irwin
Untitled, 1962
Oil on canvas
Norton Simon Museum’s California Minimalism Show, June 2011

Jack Youngerman
Red Vermillion, 1961
Oil on canvas
Norton Simon Museum’s California Minimalism Show, June 2011

Jack Youngerman
Red Vermillion, 1961
Oil on canvas
Norton Simon Museum’s California Minimalism Show, June 2011

nahuatl-themed hipster graffiti, echo parque, LA

nahuatl-themed hipster graffiti, echo parque, LA

amazing faux-islamic “calligraphic” graffiti on the facade of the Pasadena Museum of California Art’s by one of the artists from the graffiti show

amazing faux-islamic “calligraphic” graffiti on the facade of the Pasadena Museum of California Art’s by one of the artists from the graffiti show

Juan Carlos Mun~oz Hernandez
Los
2011
Spray paint on wood panels
@Pasadena Museum of California Art graffiti show, june 2011

Juan Carlos Mun~oz Hernandez
Los
2011
Spray paint on wood panels
@Pasadena Museum of California Art graffiti show, june 2011

work!  jean cocteau’s creepy WWII firebombing-themed piece for the theatre de la mode at a random museum in Bumblefuck, WA (the Maryhill).

work! jean cocteau’s creepy WWII firebombing-themed piece for the theatre de la mode at a random museum in Bumblefuck, WA (the Maryhill).

echnidea in rock overhang, 1969, from the amazing bardayal nadjamerrek posthumous retro at the museum of contemporary art sydney.

echnidea in rock overhang, 1969, from the amazing bardayal nadjamerrek posthumous retro at the museum of contemporary art sydney.

a rauschenberg bird and an inobtrusive nook, with harbor in background.  MCA sydney.

a rauschenberg bird and an inobtrusive nook, with harbor in background. MCA sydney.

matthew jones (melbourne/london), the new york daily times on the day that became the stonewall riot, 1997-2002.  MCA sydney recent acquisitions show.  mr. jones hand-drew said publication, then had 1000 copies printed of his redrawing, which sat on the gallery floor in bound bundles like a real paper.

matthew jones (melbourne/london), the new york daily times on the day that became the stonewall riot, 1997-2002. MCA sydney recent acquisitions show. mr. jones hand-drew said publication, then had 1000 copies printed of his redrawing, which sat on the gallery floor in bound bundles like a real paper.

as part of my whirlwind tour of three museums between breakfast and lunch, i also saw this amazing show organized by the newcastle museum at the nonprofit ervin gallery. it was so good i bought the catalog, something i haven’t done in years!  interested parties are invited to borrow it at their leisure and partake of various contemporary hipsters’ brainy postcolonial parodies of imperial artforms and knowledge-powers.

as part of my whirlwind tour of three museums between breakfast and lunch, i also saw this amazing show organized by the newcastle museum at the nonprofit ervin gallery. it was so good i bought the catalog, something i haven’t done in years! interested parties are invited to borrow it at their leisure and partake of various contemporary hipsters’ brainy postcolonial parodies of imperial artforms and knowledge-powers.

self-portrait reflected in metaphysical drawing sc/101/2005 by sophie coombs (london/sydney), MCA syd.

self-portrait reflected in metaphysical drawing sc/101/2005 by sophie coombs (london/sydney), MCA syd.

public art lobbying for architectural preservationism: memory is creation without end, tsuchiya kimio, 2000.

public art lobbying for architectural preservationism: memory is creation without end, tsuchiya kimio, 2000.

james morrison (goroka, papua NG/melbourne), colour green, 2007, paper mache and ink.  MCA sydney.

james morrison (goroka, papua NG/melbourne), colour green, 2007, paper mache and ink. MCA sydney.

Robert Irwin
Untitled, 1962
Oil on canvas
Norton Simon Museum’s California Minimalism Show, June 2011

Robert Irwin
Untitled, 1962
Oil on canvas
Norton Simon Museum’s California Minimalism Show, June 2011

Jack Youngerman
Red Vermillion, 1961
Oil on canvas
Norton Simon Museum’s California Minimalism Show, June 2011

Jack Youngerman
Red Vermillion, 1961
Oil on canvas
Norton Simon Museum’s California Minimalism Show, June 2011

nahuatl-themed hipster graffiti, echo parque, LA

nahuatl-themed hipster graffiti, echo parque, LA

amazing faux-islamic “calligraphic” graffiti on the facade of the Pasadena Museum of California Art’s by one of the artists from the graffiti show

amazing faux-islamic “calligraphic” graffiti on the facade of the Pasadena Museum of California Art’s by one of the artists from the graffiti show

Juan Carlos Mun~oz Hernandez
Los
2011
Spray paint on wood panels
@Pasadena Museum of California Art graffiti show, june 2011

Juan Carlos Mun~oz Hernandez
Los
2011
Spray paint on wood panels
@Pasadena Museum of California Art graffiti show, june 2011

work!  jean cocteau’s creepy WWII firebombing-themed piece for the theatre de la mode at a random museum in Bumblefuck, WA (the Maryhill).

work! jean cocteau’s creepy WWII firebombing-themed piece for the theatre de la mode at a random museum in Bumblefuck, WA (the Maryhill).

echnidea in rock overhang, 1969, from the amazing bardayal nadjamerrek posthumous retro at the museum of contemporary art sydney.

echnidea in rock overhang, 1969, from the amazing bardayal nadjamerrek posthumous retro at the museum of contemporary art sydney.

a rauschenberg bird and an inobtrusive nook, with harbor in background.  MCA sydney.

a rauschenberg bird and an inobtrusive nook, with harbor in background. MCA sydney.

matthew jones (melbourne/london), the new york daily times on the day that became the stonewall riot, 1997-2002.  MCA sydney recent acquisitions show.  mr. jones hand-drew said publication, then had 1000 copies printed of his redrawing, which sat on the gallery floor in bound bundles like a real paper.

matthew jones (melbourne/london), the new york daily times on the day that became the stonewall riot, 1997-2002. MCA sydney recent acquisitions show. mr. jones hand-drew said publication, then had 1000 copies printed of his redrawing, which sat on the gallery floor in bound bundles like a real paper.

as part of my whirlwind tour of three museums between breakfast and lunch, i also saw this amazing show organized by the newcastle museum at the nonprofit ervin gallery. it was so good i bought the catalog, something i haven’t done in years!  interested parties are invited to borrow it at their leisure and partake of various contemporary hipsters’ brainy postcolonial parodies of imperial artforms and knowledge-powers.

as part of my whirlwind tour of three museums between breakfast and lunch, i also saw this amazing show organized by the newcastle museum at the nonprofit ervin gallery. it was so good i bought the catalog, something i haven’t done in years! interested parties are invited to borrow it at their leisure and partake of various contemporary hipsters’ brainy postcolonial parodies of imperial artforms and knowledge-powers.

self-portrait reflected in metaphysical drawing sc/101/2005 by sophie coombs (london/sydney), MCA syd.

self-portrait reflected in metaphysical drawing sc/101/2005 by sophie coombs (london/sydney), MCA syd.

public art lobbying for architectural preservationism: memory is creation without end, tsuchiya kimio, 2000.

public art lobbying for architectural preservationism: memory is creation without end, tsuchiya kimio, 2000.

james morrison (goroka, papua NG/melbourne), colour green, 2007, paper mache and ink.  MCA sydney.

james morrison (goroka, papua NG/melbourne), colour green, 2007, paper mache and ink. MCA sydney.

About:

I am a californian who has traveled a lot and loves giving advice, mostly food related but also cultural when it's safe consensual and appropriate to the current legal climate. Contact me via email if you really must.